In this first episode of 2019, Amos and Ex continue their discussion on “apocalypse” (or at least radical social critique) in television and film. In addition to talking about memes and news from Washington–Elizabeth Warren, Alexandria Ocasio-Cortez, etc.–the films/programs discussed today include Pump Up the Volume (1990), Fight Club (1999), Memento (2000), and Mr. Robot (2015-2019).


In this final episode of 2018, Amos and Ex chat about the apocalypse as imagined by Hollywood. Best and “worst” end of the world films, from zombie apocalypses to more serious science fiction films like Denis Villenueve’s Arrival (2016) to the Coens’ No Country for Old Men (2007) are explored. Also discussed is the notion that American film, as a artform, has come to an end.


Happy Holidays, yalls. Tis the season for your co-hosts to discuss the ways in which the Christian tradition especially seems to have lost its appetite for eschatological or end-of-days thinking (relative to the 1990s “Left Behind” hysteria) as we actually get closer to such a moment coming to pass. Likewise, given the “eschatological” utopianism embedded within some far left traditions, where are all the Marxists and anarchists these days when it comes to talking end of days?


They live, we sleep. Today Amos and Ex chat about the contemporary relevance of John Carpenter’s brilliant 1988 film They Live as a way in to discussion about the gilets jaunes/yellow vest “movement” in France, declining life expectancy in the United States, and China’s announcement that they’ve successfully used CRISPR to edit the human genome in a human embryo.


Amos and Ex talk Halloween, Slovenian philosopher Slavoj Zizek, the hyperreal / simulated nature of the Trump presidency, and why the Left needs to take a cue from the American President and start being “more like him” (without all the incompetence, lying, sexism, and human rights violations) if it wants to win. That is: be more ruthless, brazen, and seemingly “irrational” in its demands and tactics and break political rules.